Bible
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Everybody knows about the panting deer of the opening line of Psalm 42, and many experience the sentiment that gave rise to this image. But few realize the exquisite and valiant choice of words the sons of Korah display, especially in the seventh verse. Psalm 42 is a dance of fluidic words. Meticulously, the author breaks a continuum, evokes contrasts and has elements congrue into new onenesses. The word for "deer" comes from a root that generally denotes a protruding or something that stands proudly and quietly ('wl, TWOTOT index 45; other derivations: belly, leader, porch, ram, door post, terebinth). Its longing or panting is pencilled with the verb arag (1961), a very unusual word that, judging from equivalents in cognate languages, rather means a bending, declining or even ascending. Contrary to common interpretation, the image is gentle and still and charged with great tension. The deer emerges from the forest - early morning perhaps; mist in elongated blurrs rests nimbly on the grass - and as it stands attention the observer feels its thirst. Slowly the animal stoops towards the flow of water below. The author yerns to emerge from the throngs of those who challenge his trust in the One he desires. But in stead of drinking Him, he drinks his own tears, and all that pours is his own soul within him, descended, like the very water that the deer yields towards. The author's soul is depressed, like the Jordan (means Descender or Descended, see the Name Vault). That is why he remembers God from the Jordanic low land, but also from the high peaks of the Hermons, and thus he creates the maximum vertical stretch possible from his local perspective. The author fills the entire leap from highest point of the earth to the lowest; the deepest depth, and cries out to the deepest depth after which he was created. Creation began when the Spirit of God hovered over the waters, and darkness lay on the face of the deep (tehom; same word). In Romans 8 we read about creation groaning and suffering anxiously from longing for the revelation of the sons of God, and we must recognize that in the private ardour of Psalm 42, the voice of the entire universe resounds, perhaps even as primary intend. But that's far from all. In verse 9, the author likens God distinctively to the opposite of water: a rock. "The figure of God as a rock becomes typical for the New Testament teachings relative to Christ's person and walk - 1 Pet 2:6; 1 Cor 10:4" (TWOTOT, page 627), and our attention is drawn to Jesus Christ. Remarkable, because where the Psalmist states, "I will say to God, my Rock, "Why hast Thou forgotten Me?"," Jesus cried from the cross, "My God, My God, why have You forsaken Me?" (Mat 27:46). Dying the way Jesus did is a pretty hard death. There is some debate about His actual posture, but everyone agrees that His arms were stretched, and placed either sideways or straight up. The result of this is that the chest cavity expands and exhaling is made difficult. After a while, breathing is impossible and Jesus' actual cause of death was exhaustion and asphyxia. This makes the report of His dying by Matthew and Mark highly remarkable, if not boldly referential, "And Jesus cried out again with a loud voice, and yielded up His spirit" (Matt 27:50); "And Jesus uttered a loud cry and breathed His last" (Mark 15:37). "Jesus, knowing that all things had already been accomplished, in order that the Scripture might be fulfilled, said, "I am thirsty" (John 19:28)." NAS links this to Psalm 22:15. Others to 69:21. But perhaps Jesus thought of Psalm 42:7, and its incredible extent of profundity, and Deep cried out to Deep. |
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